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BONFIRES ON THE HEATH is a return to The Clientele's roots; the dreamlike suburban landscapes first encountered in the early singles, their trippy sense of menace stronger now. Back in London, they've drawn on older traditions of English Folk, which exist here side by side with the band's more familiar Bossa and Pop elements. Mel Draisey's contributions on piano and violin add beautifully to MacLean's timeless, eerie songs. Instantly identifiable, The Clientele sound like no one else, although they are cited as an influence by bands as diverse as Spoon and the Fleet Foxes.
