"You'd expect a DJ-producer who adopted the name ""Donna Summer"" for his early recordings to gleefully glean as many pop-culture castoffs as he could get away with. But what's surprising-and gratifying-about Jason Forrest's first pseudonym-less release (and his first on a label not his own) is how little he condescends to his sources, and how sharp he makes even the clichuff sound. There are plenty of easily recognizable, if fleeting, snippets of classic-rock and '70s funk staples here, but if Forrest trades in on their associative power, he also turns them into something new and frequently ingenious-the ricocheting mini-symphony of horn blurts and string splashes on ""INKhUK"" or the rock-funk-metal-disco pileup of ""Stepping Off"" are accessible for anyone alive during the '70s, or who's spent much time with oldies radio, but they're also just out of reach. Forrest used to host a show on the New Jersey freeform station WFMU, home to all manner of weirdness, and like many of his former colleagues, he's got a prankster's heart: ""Ceci N'est Pas Du Disco"" continually disrupts a beat that jitters around to begin with, while the self-explanatory ""Why I Love ELO"" sounds like it was made in a blender. But like Kid606's recent Kill Sound Before It Kills You and Who Still Kill Sound?, or the mash-up bootlegs that predated both, Forrest creates something out of his mess. "