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Labor Against Waste features Stelling’s astonishing guitar work, a melodic finger-picking style influenced in large part by blues legends such as Skip James and Mississippi John, masters like John Fahey, and banjo greats Dock Boggs and Roscoe Holcomb. On top of this soars Stelling’s voice, a resonant baritone that calls to mind classic troubadours from Tim Hardin to Steve Earle. Accompanied by an ensemble of stomps, claps, french horn, flugelhorn, kettle drums, string quartet, and a chorus comprised of members from the Low Anthem, in whose studio Stelling recorded the album, Labor Against Waste is the opening statement in what should be a long and storied career.